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Archive for the ‘Santo Tomás Jalieza’ Category

Photo Books by Lawrence G. Desmond

Blurb is an online platform for creating, and printing independent books. By going to Blurb’s Internet web site, and searching for Lawrence G. Desmond you can see all the photos in each of the below books. Or, just click on this link: http://www.blurb.com/search/site_search?search=Lawrence+G+Desmond

Growing up in California, 1947-1959. Toy Racers and Giant Salamanders. San Francisco: Blurb. 8×10” Landscape. 142 pages. 123 photos. 2014

2012 Blue Water and Rocky Lights. My life in the Coast Guard, 1957-1960. San Francisco: Blurb. 8×10” Landscape. 66 pages. 120 photos. 2012

The John Muir Trail. From Florence Lake to Cedar Grove, 1962. San Francisco: Blurb. Co-authored with Kenneth L. Parker. 8×10” Landscape. 94 pages. 70 photos. 2009

The San Francisco Peace March– Vietnam War Moratorium, November 15, 1969. San Francisco: Blurb. 8×10” Landscape. 48 pages. 44 photos. 2013

An Unintentional Photographer, 1968-1970. Mirrored Rooms and Chain-link Fences. San Francisco: Blurb. 8×10” Landscape. 162 pages. 143 photos. 2014

Tepetzintla, Sierra Norte de Puebla, 1972. San Francisco: Blurb. 8×10” Landscape. 128 pages. 119 photos. 2013

Santo Tomás Jalieza, Oaxaca, Mexico, 1973. San Francisco: Blurb. 8×10” Landscape. 76 pages. 65 photos. 2013

Mexico as it was. Photographs of life in the 1970s. San Francisco: Blurb. 8×10” Landscape. 144 pages. 139 photos. 2013

Mexico- Landscape and Architecture. San Francisco: Blurb. 8×10” Landscape. 124 pages. 114 photos. 2014

Scholars in dark glasses. Photos of MMARP symposia, 1982 to 1994. San Francisco: Blurb. 8×10″ Landscape. 195 pages, 165 photos. 2014

 

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Mexico- Landscape and Architecture. Jacket cover.

Mexico- Landscape and Architecture.

Preview book: Mexico- Landscape and Architecture by Lawrence G. Desmond

Hot off the press: Mexico- Landscape and Architecture. After publishing three books that feature the peoples of Mexico, I have just finished my first book of photos that highlight the landscape and architecture. Most of the photos were taken in the 1970s when I was living in Puebla, and attending the Universidad de las Americas in Cholula. The photos are now archived at Harvard University’s Peabody Museum.

I took advantage of days off from classes at the Universidad de las Americas to travel around Mexico with family and friends. We were graduate students in art history and archaeology, and that required a stop at nearly every Colonial church and archaeological site. The trips, along with my photos, were pretty much unplanned.

I was seldom without my camera because, for me, the Cholula-Puebla region is one of the most photogenic in Mexico. To the west are the snow capped volcanoes of Popocatepetl (17,802 ft, 5,426 m) and Iztaccihuatl (17,343 ft, 5,286 m); and scattered throughout the region are small farming villages and, some say, 365 Colonial churches. True or not, the churches are architectural jewels, and a photographic challenge.

Of course, Mexico has many landscapes — the dry and open spaces of Oaxaca that are reminiscent of Northern California, the damp-steep mountains of the Sierra Norte de Puebla, the rugged western mountains near Tepic, volcanoes both dormant and ready to erupt, deserts in Northern Mexico and Baja California, the flat limestone plain of Yucatán surrounded by the blue waters of the Gulf of Mexico, and the thick humid tropical rainforest along the Gulf Coast that penetrates inland for hundreds of miles.

Most everywhere you travel in Mexico you are likely to see the remains of an ancient civilization. One of the most spectacular, near Mexico City, is Teotihuacan (popularly known as “The Pyramids”), but equally spectacular are the great cities of the Maya such as Uxmal and Chichén Itzá in Yucatán, and in Oaxaca is Monte Alban built on a mountaintop by the Zapotecs, and further south is Mitla with its delicate stone work made by the Mixtecs.

The photos in the book were selected from my Kodachrome transparencies and black-and-white negatives. With a few exceptions, they date from the early 1970s, and were taken with a 35mm Leicaflex SL camera using 35mm, 50mm, and 90mm lenses. The 35mm Kodachrome film was processed by Kodak labs in Palo Alto, California and Mexico City, and I processed the black-and-white Kodak Tri-X film at the Universidad de las Americas in Cholula using Edwal FG7 developer mixed with sodium sulfite.

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Santo Tomás Jalieza, Oaxaca, Mexico 1973

Santo Tomás Jalieza, Oaxaca, Mexico 1973

The photos in this book were taken in the village of Santo Tomás Jalieza (latitude 16º51′ north and longitude 96º40′ west) that is located in the Mexican state of Oaxaca, and about 17 miles (28 Km) south of Oaxaca City in the Zimatlán Valley, at an elevation of 5000 feet (1500 meters).

With my family living with me part time, I spent the first half of 1973 taking photos and learning about village life for my MA thesis in anthropology: Santo Tomás Jalieza: A Community of Cooperation. If you would like more information about the village as I saw it in 1973, a copy of the thesis is in the library of the University of the Americas in Cholula, Mexico, the University of Florida-Gainsville, and the Reitberg Museum in Zurich, Switzerland.

The photos for this book were selected from the many photos that I took for the thesis project. The color photos were taken using Kodachrome 64 transparency film, and the black-and-white photos were taken using Kodak Tri-X negative film. The camera was a 35mm Leicaflex SL with 35mm, 50mm, and 90mm lenses. The color film was processed by Kodak de Mexico, and I processed the black-and-white film using a developing formula of Edwal FG7 and sodium sulfite.

If you would like to look at the photos in the  book, click on this link to the Blurb web site: Santo Tomás Jalieza Oaxaca, Mexico 1973

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